49 posts tagged classic
Kaliber: “16.2” (Kaliber 16, 2007)
Some unsung techno magic by John Dahlbäck under his mysterious Kaliber moniker. Best listened to with some patience, as it takes its time to more fully form. It’s worth the wait!
Ain Soph: “Monsolvat” (Kshatriya, 1988)
I’m happy to have just learned that this little known album got a proper remaster and reissue in 2007. I like the odd mix of goth mystique, early music, experimental drones, and psychedelic noise that is almost disorienting.
Autechre: “Perlence Subrange 3” (Quaristice.Quadrange.ep.ae, Warp 2008)
I prefer this track from Autechre in its more blissed out variations on the subsequent EPs that followed their 2007 sprawl, Quaristice. It’s a set of releases, including the album alongside a limited edition bonus disk and this two-and-a-half-hour follow-up “EP,” that I sadly tend to overlook when considering the highlights of Autechre’s varied discography. Like most of their music, however, it rewards with repeated listening, both in the details as well as the larger impression. Their talent and ingenuity continues to wow me.
Orbital: “Satan” (III, 1991)
"And by the way, if you see your mom this weekend, would you be sure and tell her…"
Bola “Magnasushi” (Fyuti, 2001)
This track from Bola also appeared on the All Tomorrow’s Parties 3.0 double-disc, and it was mis-labeled in my iTunes library as Autechre’s track until I finally realized the mistake last night. (It took me a while to figure out who this was, then — imagine my surprise having had the track lingering in there for a decade.) It summarizes everything great about Bola’s music — timbral, emotive, melancholy, rhythmic, glitchy, and, most of all, gorgeous.
John Carpenter: “Laurie’s Theme” (Halloween, 1978)
John Carpenter & Alan Howarth: “Season of the Witch / Chariots of Pumpkins” (Halloween III: Season of the Witch, 1983)
I can’t help but wonder if Halloween III would have been more of a hit if it hadn’t fallen so fully under the shadow of Michael Myers. I re-watched it the other day, and it’s such a lovable and odd B-movie.
Some love for vintage Skinny Puppy on the Onion’s AV Club site. Their 1986 album, Mind: The Perpetual Intercourse, is an old favorite of mine, and this track is probably the spookiest.
The Velvet Underground: “Venus In Furs” (1967)
R.I.P. Lou Reed. This is probably my favorite song of his.
Einstürzende Neubauten: “Merle (Die Elektrik)” (Zeichnungen Des Patienten O.T., Some Bizarre 1983)
I bought this album about 10 years after its release, when I was a teenager. I had just begun to learn about industrial music, and, having already gotten into more contemporary acts like Skinny Puppy and Front 242, when I’d heard about Neubauten’s reputation and legacy I knew I had to at least hear it. In some ways it’s the perfect introduction, not quite as harsh as their debut Kollaps but still embodying their entire ethos of their first incarnation. Thirty years later it still sounds brilliant.
Jon Hassell & Brian Eno: “Delta Rain Dream” (1980)
Dreamy perfection…. and timeless.
Lithops: “Uni Umit 04” (Uni Umit, 1998 Moikoi)
Jan St. Werner’s debut as Lithops is probably still one of my very favorite things he’s recorded. It’s so understated but not without a sense of humor, far less spastic than where he and Andi Toma went with Mouse on Mars and not half as severe as the Lithops albums that followed. This track might be the closest thing to what he was exploring with Mouse on Mars at the time (circa Autoditacker and Cache Cœur Naif), but it’s a favorite.
The Legendary Pink Dots: “Voices” (The Legendary Pink Box, 1989)
I’ll always have a soft spot for this ultra lo-fi track from LPD — takes me back every time.
Stephan Mathieu: “Remain (excerpt)” (Line, 2011)
Remain is among my very favorite ambient albums (read my original review here), and I rarely travel without it. Whether I’m hoping (however in vain) to drift off when flying or just blissing out while actively listening, it’s engrossing from start to finish.
Stars of the Lid: “Broken Harbors (Parts 1, 2, 3)” (The Tired Sounds of Stars of the Lid, 2002)
One of my all-time favorite albums, stunning as ever.